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In the Land of Women (2007) -vs- Garden State (2004)

From Movie Smackdown! - Two Films, One Review, No Holds Barred

The Smackdown. Here we have two writer-directors telling coming-of-age stories starring TV stars trying to give off a semi-leading man feature vibe while projecting angst and alienation. Making his debut, writer-director Jonathan Kasden gives us our latest combatant "In the Land of Women" to take on writer-director Zach Braff's "Garden State." Braff goes Kasden one better (or at least one more) in that he also cast himself as the lead while Kasden (son of Lawrence) went with Adam Brody. Both lead characters are Hollywood wannabe's: Braff's character wants to make it as an actor and Brody's character wants to make it as a writer.

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"Really great party. I slept with your mom. Not a problem, right?"

The Challenger. ("In the Land of Women") You've seen Adam Brody as the comic-loving, caffeinated nerd of "The O.C." who eventually wised up, got hunkier and started dating the hot chick of the series. In this film, he's Carter Webb, an LA writer of softcore porn who wants to write "real" novels and other important work. After his extremely hot girlfriend dumps him, he ends up in Michigan because of an ailing grandmother, ends up getting to know the woman across the street -- Sarah -- a woman who looks a lot like Meg Ryan with a face-lift and her lips done. He also gets to know her daughter, Lucy, played by Kristen Stewart. In the original cut of the film, Carter ends up sleeping with Sarah the night before she has a mastectomy and audiences went berserk and it was cut. The studio demanded certain changes, shall we say, and Kasden Senior who produced the film, as I understand it, said he'd fix it, reminded everyone of his writing credits, and demanded to know what they'd written lately. The executive said, "The check." Studio got its way, whether that was good or bad, stay with us...

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"Getting off Zoloft may not have been such a great idea."

The Defending Champion. ("Garden State") This was Zach Braff's feature-film coming out party where he did everything on the film except fill in for craft services (and I'm not even so sure about that). He plays Andrew Largeman ("Large" for short) a not-so-successful actor from LA who goes home to his New Jersey town to bury his mother. He ends up re-connecting with his high-school buddies, getting off the medications his psychiatrist Dad (Ian Holm) has had him on, and finding a kindred spirit in Sam, played by Natalie Portman as a beautiful space cadet come to planet Earth in the nick of time. Braff really knew his emotional stuff for this one: back when I was running the TV Academy, I ran into Braff at an Emmy party on his first season of "Scrubs" and he looked a little shell-shocked. I think part of his psyche was still waiting tables, and he did "Garden State" partly to capture that feeling.

The Scorecard. I could be wrong but it really feels to me like there is little doubt that Kasden/Brody et al set out to make this year's "Garden State." Soulful slacker -- check. Banter -- check. Characters in the film biz -- check. "Garden State" is the kind of film that just kept getting better the longer you watched. "In the Land of Women" seemed to fall apart a bit more the longer you watched. It also jumps a bit, something that had to be aggravated by the radical script surgery required to stop Brody from having sex with Ryan on the eve of breast surgery and chemotherapy. There are compensating good parts to "In the Land of Women," in its best scenes there's a gentle humor to it all. But, man, seeing these back-to-back you realize how low the standard for tough manhood has fallen: both Braff and Brody exude an adolescent vibe that is sensitive beyond belief. When Brody gets punched out by a bully, he doesn't punch back. He makes a witty retort and the girl he came to the party with gets him out of there while some other kid stands up for him.


And the winner is...

The Decision. If you're trying to beat the champ, you need a knock-out. Even on points, though, "Garden State" clobbers the competition. It's edgy, sweet, funny, ironic and original. I have seen it twice now and I know it won't be that long before I see it again.

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Comments

I didn't care for GS, but I'm pretty sure it came out in 2004. :)

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